I’m always on the lookout for new adaptations of lesser-known fairy tales, and just over a month ago I was lucky enough to find one practically on my doorstep, at the National Gallery of Art. De Vilde Svaner (The Wild Swans) is one of Hans Christian Andersen’s most beautiful stories, and I had high expectations.
The more I read about this production, an hour-long Danish production with art design created by–no joke–Queen Margrethe II of Denmark, the more apprehensive I became. A film with découpage backdrops and actors greenscreened in? I just wasn’t convinced that they’d be able to pull it off.
And oh boy, was I wrong!
Our last day was spent revisiting places we didn’t spend enough time in earlier. We made a quick tour of Japantown, where I ate a crèpe. Went into every Japanese grocery store within a 4-block radius, passing up fresh octopus for delicious but hard-to-open fruit drops. Also picked up a pair of handy collapsible chopsticks.Headed back to the Lumiere to watch the animated shorts, followed by a very satisfying dinner at one of the city’s best Thai restaurants. After that, we repacked our things and went to catch a bus to the airport. Instead, the bus breezed right past us despite shouting and waving. We were grouchy the whole taxi ride to the airport.
Most of day four was spent on a couch at our hostel, getting some design work done. I escaped just in time to see clouds covering up the sun and realize that the Asian Art Museum was free the previous Sunday instead of Tuesday. Whoops. We trudged back to the hostel and discovered that the Oscar-nominated shorts were playing just a short walk away at the Lumiere Theatre. After watching the live-action shorts, we took the bus to Ghirardelli Square, bought a large back of assorted chocolate squares to split, and then finished the day at our favorite Indian restaurant.